Lluís Carulla Ruiz Sculptures

Art in movement

The art Lluís Carulla Ruiz practices reminds me of the great moments in the history of shapes: the plane against perspective, superimpositions on a two-dimensional level from another time, setting the creator into mental motion and placing the experiment in the visitor’s hands. Movement and colour schemes codify and differentiate the entire given surface. His objects form part of movement because movement can be found within that which is static. He is not concerned with a visual representation of shapes, and their representation with words, but rather, that whatever lies within the interior of existence may reach us. After all, life is movement and rhythms, seeking balance between many other systems.

Vicenç Altaio

Sea Urchin

The Sea Urchin collection is born from the artist’s deep connection to the landscape of Cadaqués, in the Alt Empordà, a unique enclave where sea, rock, and light have inspired generations of creators.

In its waters, sea urchins abound-an essential part of local tradition and a source of fascination for the artist Lluis Carulla since childhood. Observing these organisms- their perfect forms, the delicacy of their structure, and the almost hypnotic movement of their spines-has led to a sculptural reinterpretation that transforms the organic into a geometric languaje.

Crafted in metal (aluminium), the pieces expand into space with rhythm and precision, evoking the tension and harmony inherent to the sea urchin. Sea Urchin is a tribute to the silent beauty of the marine world and to the memory of landscape where nature, tradition, and artistic creation converge

Algae

The Algae Collection is inspired by the organic, undulating forms of marine algae, reinterpreted into sculptural compositions full of rhythm and fluidity.

Made of aluminium and finished with electroestatic powder coating, the pieces feature three layers that create a constantly shifting and unpredictable visual interaction. As in other Kinetic works, the result is a hypnotic and immersive effect, where the forms seem to come alive in a continuous dance.

Coral

The Coral collection is inspired by the organic beauty of the marine world, evoking the sinuous forms and branching structures of coral. The sculptures translate this natural growth into dynamic, balanced structures where each line flows with continuity.

The pieces combine delicay and strength, expanding into space with rhythm and lightness. Coral proposes a fusion of nature and geometry, capturing the harmony and elegance of organic patterns.

Quantum

The Quantum collection is inspired by the invisble world of particle physics, where matter, behaves in dynamic, unprecitable, and constantly evolving ways. The sculptures evoke atoms, electrons, and subatomic structures, translating their interactions and energy levels into fluid, tension-filled forms

Through volumes that seem to vibrate and connect in space, the pieces suggest concepts such as wave-particle duality, as well as invisible relationships that generate balance and movement.

Quantum offers a contemporary perspective where science and art converge, giving rise to works that capture the energy, lightness, and mystery of what we cannot see

  • Blue music sheet
  • Colors music sheet
  • Colors music sheet

Geometry of sound

This is a sculptural collection that reinterprets the traditional musical score as three-dimensional visual languaje.

Each piece is built around a square or rectangular steel frame that defines the space of the composition. From this structure, metal rods extend perpendiculary, crossing both the interior and exterior of the frame. At the end of these rods, geometric shapes-such as circles, triangles, squares, and rectangles-create a coded system that represents musical notes. Colors adds a second layer of meaning, indicating the intensity of duration of each note.

The sculpture is concieved to be read as a score. The sequence begins at the upper-left corner of the outer perimeter and continues clockwise around the frame. Once the external circuit is completed, the reading moves inward, following the same direction and logic through the inner elements.

This structured path transforms the sculpture into a readable composition, where spatial arrangements replaces the trdaitional staff. In this way, Geometry of Sound proposes a new way of experiencing music: a translation of sound into geometry, where composition unfolds through form, color and space